K'Naan and Wale w/special guest John Forté
March 31, 2010
The Fillmore at Irving Plaza
17 Irving Place, New York, NY
March 31, 2010
The Fillmore at Irving Plaza
17 Irving Place, New York, NY
April 1, 2010
House of Blues
36 Landsdowne St., Boston, MA
April 2, 2010
Toad's Place
300 York Street, New Haven, CT
April 3, 2010
Rams Head
20 Market Place, Baltimore, MD
April 4, 2010
9:30 Club
815 V. St., NW, Washington, DC
April 6, 2010
The Trocadero
1003 Arch St., Philadelphia, PA
April 8, 2010
Center Stage
1374 W. Peachstree St., NW, Atlanta, GA
April 9, 2010
Sunken Garden at College of William and Mary
102 Richmond Road, Williamsburg, VA
April 11, 2010
Metro
3730 N. Clark Street, Chicago, IL
April 13, 2010
House of Blues
308 Euclid Ave., Cleveland, OH
April 14, 2010
Newport Music Hall
1722 N. High St., Columbus, OH
April 19, 2010
Skirball Center for the Performing Arts
566 LaGuardia Place, New York, NY
April 22, 2010
The Highlands Hollywood
6801 Hollywood Blvd., Hollywood, CA
April 28, 2010
Pop Burger
60 Ninth Avenue, New York, NY
April 29, 2010
Prince George Ballroom
15 East 27th Street, New York, NY
Having served seven and a half years of a fourteen-year federal prison sentence before receiving a historic commutation from President Bush and being released from prison in December 2008, Forté's undeniable talent as a lyricist and musician, far from diminishing during his incarceration, has grown and matured. His new songs, full of powerful social commentary combined with hope and inspiration, bear witness to the remaking of a man and his struggle to remain free – they are a testament to his spiritual journey and proof that the phoenix can, and will, rise from the ashes.
On StyleFREE the EP Forté delivers an eclectic group of songs, including tracks reminiscent of mixtape culture and throwbacks from Forte's childhood in Brownsville, Brooklyn, such as the title track, "StyleFREE". The EP also contains powerful ballads like "More Beautiful Now," and the self-affirming "There We Are" – each track being equally honest, poetic and creatively expressed.
Four years after his debut release, Poly Sci, John Forté returned with a substantially different album titled I, John. Unlike his fun debut, this album takes a more serious approach to music-making. Anyone who heard Poly Sci will find the high level of introspection quite surprising. Forté works with co-writer Joel Kipnis and accomplished yet low-profile artists such as Tricky, Esthero, and Herbie Hancock on I, John. Furthermore, he throws the rules out the window, making his own style of music rather than the hot sound of the moment. (allmusic.com)
As a protegé of hip-hop supergroup the Fugees, and a member of adjunct group the Refugee All Stars, John Forté exhibits the same intriguing mix of street and mainstream culture that helped the band rise above all prescribed boundaries. Poly Sci displays the same pumpin’ beats blended with pop elements and articulate lyrics, that made groundbreaking hits out of The Score and Wyclef Jean Presents the Carnival, both of which Forté wrote, produced and performed on. Filled with all the swagger and attitude essential to hip-hop, yet tempered with softer pop sensibilities, as on the quirky “Ninety Nine (Flash the Message),” and the slightly psychedelic “Madina Passage,” and the easygoing title tune, this debut promises a flourishing solo career for Forté. (allmusic.com)